我們何以尋回心中的 "澳門" ?
The quest to recover the "Macao" of our hearts
不協調的新舊建築物交錯煩亂,
四周的環境造成無法理解的衝突與矛盾,
在前進的同時如何能不遺忘內在風景 ?
四周的環境造成無法理解的衝突與矛盾,
在前進的同時如何能不遺忘內在風景 ?
In a city in rapid growth like Macao, where historic buildings inter twine with new high-rises,
a pertinent question must be formulated:
"How do we retain the original landscape in our minds given the fast course of progress?"
a pertinent question must be formulated:
"How do we retain the original landscape in our minds given the fast course of progress?"
2010 年《記憶──跨媒體音樂會》及2011 年《記憶藍圖── 舞蹈劇場》獲得各界正面迴響後,2014 年梳打埠實驗工場藝術協會延續同一主題,創作《記憶藍圖I I》。作品表達對澳門城市發展的關注與期望,並反思人與自然的關係。
Following the enthusiastic reception of Memory – A Multimedia Concert in 2010, and of Memory Blueprint – Dance Theatre in 2011, the Soda-City Experimental Workshop Arts Association further explores the theme in Memory Blueprint II – a work that projects concerns for the future of Macao, reflecting upon the relationship between man and nature.
Following the enthusiastic reception of Memory – A Multimedia Concert in 2010, and of Memory Blueprint – Dance Theatre in 2011, the Soda-City Experimental Workshop Arts Association further explores the theme in Memory Blueprint II – a work that projects concerns for the future of Macao, reflecting upon the relationship between man and nature.
"從五年前的《記憶》發展到現在的《記憶藍圖 II》,
不斷反思所身處的地方對自己產生怎樣的影響 ?
在所有的選擇中,自己又擔當甚麽角色?"
---- 導演及編舞 郭瑞萍
"From <Memory> (2010) to <Memory Blueprint II> (2015),
I constantly reflect on what impact it has had on me with the place where I am living,
and among all the choices, what are my roles ? "
--- Director and Choreographer Candy Kuok